By Lucile McDonald, Richard McDonald
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In my self-invented shorthand, I'd gotten down nine-tenths of what he had said. I hoped the story would sound as if I knew the subject, even though the players' names and the terminology were mostly unfamiliar. Next day I laid three sheets of copy paper on Mr. Taylor's desk and awaited the verdict. He read silently with no hint of his impression until suddenly he looked up. " he exclaimed, seeming as surprised as I was. The job was mine. I learned a big lessonnever fear the impossible. Professor Dyment congratulated me but when I told Professor Allen next day I was to work regularly for The Guard his response was withering.
That was the only concept men had of women's newspaper interests in that period. Before I could deliver the letter a milestone event occurred. " Page 4 I supposed there would be a call from home, but the secretary pointed to the private office. " "What had I done to get in trouble," I wondered. On entering I faced three persons seated in armchairs: the principal, the girl who edited The Spectrum, our high school publication, and a Mr. Jefferies, who had been a substitute teacher. They were engaged in serious discussion of a new project.
Better still, when he asked how a windmill worked, she researched the answer and was on her way to a book, Windmills, one of her most successful. In the 1940s, Mc Donald met Zola Helen Ross in a creative writing class at the University of Washington, and they became fast friends. The two women collaborated on eleven novels of juvenile fiction, usually mysteries, sometimes with historical settings. Mc Donald provided the timelines and background for the books while Ross developed the characters and dialog; they worked together on the plots and revised one another's prose.
A foot in the door: the reminiscences of Lucile McDonald by Lucile McDonald, Richard McDonald