ISBN-10: 3110850109

ISBN-13: 9783110850109

Publish yr note: First released in 1986

From the preface:
Argumentum e Silentio is the 1st quantity on Paul Celan, which brings jointly contributions from thirty-two authors of 7 various international locations. during this e-book, arguments have interaction counter-arguments and sometimes silence in addition; divergent readings yield conflicting effects that remove darkness from such critical matters with present Celan-research because the theoretical ways to Celan's paintings, its courting to highbrow traditions from Holderlin to Freud, and its Jewish contextuality.

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Additional resources for Argumentum e Silentio: International Paul Celan Symposium/Internationales Paul Celan-Symposium

Example text

Rettung. Lumiere fut. Delivrance. 18 Si la date devient lisible, son schibboleth vous dit: «Je» (presque rien, une seule fois, une seule fois ä l'infini recommencee mais finie par cela meme, et de-finissant d'avance la repetition), je suis, je ne suis qu'un chiffre commemorant cela meme qui aura ete voue ä l'oubli, destine ä devenir nom, pour un temps fini, le temps d'une rose, nom de rien, «voix de personne», nom de personne: cendre. Desir ou don du poeme, la date se porte, en un mouvement de benediction, vers la cendre.

C o m m e la l a n g u e : wie heisst es, dein Land hinterm Berg, hinterm Jahr? Ich weiss, wie es heisst. [···] . comment s'appelle-t-il, ton pays derriere les mots, derriere l'annee? Je sais comment il s'appelle . es wandert überallhin, wie die Sprache, wirf sie weg, wirf sie weg, dann hast du sie wieder, wie ihn, den Kieselstein aus der Mährischen Senke, den dein Gedanke nach Prag trug [ . . ] 7 Tr. Martine B r o d a , in La rose de personne, [· • ; ] . il emigre partout, comme la langue, rejette-la, rejette-la, et tu l'auras de nouveau, comme lui, le caillou du bassin Morave que ta pensee portait ä Prague [ .

Ce fut l'origine du Front Populaire. Mais si, dans «In Eins,» Celan precise le 13 de fevrier (Dreizehnter Feber), on peut penser au 13 fevrier 1962. Je livre cette hypothese ä ceux qui peuvent avoir connaissance et temoigner de la date dite «externe» du poeme. Je l'ignore, mais si mon hypothese etait factuellement fausse, eile designerait encore le pouvoir de ces dates ä venir vers lesquelles, dit Celan, nous nous transcrivons. Une date reste toujours une sorte d'hypothese, le support pour un nombre par definition non limite des projections de memoire.

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