By Jennifer M. Jeffers (auth.)

ISBN-10: 0230101461

ISBN-13: 9780230101463

ISBN-10: 1349379050

ISBN-13: 9781349379057

This is the 1st publication to target masculinity in Samuel Beckett's paintings so that it will comprehend his ancient and nationwide context, the trouble of examining and studying his texts, and his ruthless disintegration of sexual and gendered norms all through his oeuvre.

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On becoming chief secretary for Ireland in 1903 Wyndham called it “a backwater spawned over by obscene reptiles . . 48 The emasculation through government reform and eradication of memory through an invented history ultimately produced the need in Beckett to return to memories of a time and people who no longer officially existed. However, the discourse of the feminized Irish Catholic male is one that is well-known and one that Beckett will exploit in Murphy. ”49 The Irish Republican movement uses militarization to reclaim a masculinity that had been feminized for centuries by the British.

Murphy becomes the perfect medium for working out an AngloIrishman’s national identity of emasculation and exile; and Murphy, like Beckett, cannot—and does not—return to live in Ireland. In addition, in the larger cultural and societal sense, the novel displays attitudes toward gender and sexual preferences that are, by contemporary standards, not flattering to Beckett. 44 ● Beckett’s Masculinity Before World War I, Alfred Adler (1870–1937) was in Freud’s circle until Adler publicly criticized Freud’s infantile sexuality theory.

Their materiality matters. They will do certain things and not others. ”58 Bodies, according to Michel Foucault, became regulated in the late eighteenth century. ”60 What Foucault fails to mention concerning the “four great strategic unities” is that knowledge and power are completely patriarchal and masculine defined. Women, children, and deviants were brought under control through patriarchal institutional and judicial subjugation. Parents, nurses, and teachers would have been dominated by masculine authority at the turn of the nineteenth century.

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Beckett’s Masculinity by Jennifer M. Jeffers (auth.)


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