By Stuart Mealing
Pcs and Art presents insightful views at the use of the pc as a device for artists. The methods taken fluctuate from its old, philosophical and functional implications to using machine expertise in paintings perform. The participants comprise an artwork critic, an educator, a training artist and a researcher. Mealing seems on the power for destiny advancements within the box, either the inventive and the computational facets of the sphere.
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Extra info for Computers and Art (2008)
It has to know things about the world. We do, in fact, look at the outside world. We do, in fact, know about things in the outside world. ’ In people knowledge is acquired cumulatively. People’s knowledge or internal models of the world must eventually refer back to their experience. AARON, not having a body with senses, has no direct experience. However, it is also possible to acquire knowledge indirectly through other people and this is how AARON receives information about the world. AARON is given knowledge by Cohen that refers to his experience.
2002. 17 Lauzzana, R. G. & Pocock-Williams, L. (1988) A Rule System for Analysis in the Visual Arts. Leonardo, 21, 4, pp 445-452. 18 Lawrence, J. D. (1972) A Catalog of Special Plane Curves. New York: Dover Publications. 19 Lee, P. (1997) Linear colour contouring for fine art printmaking. Visual Proc. Siggraph, Los Angeles, p 185. 31 Computers & Art Second Edition At present, relatively few artists design or write programs, but as more intuitive, visually-oriented programming languages become available this could change, enabling more of them to contribute to the growing body of explicit drawing knowledge.
281-293. 2 Cohen, Harold (1995) The further exploits of AARON, Painter. SEHR, Constructions of the Mind. Vol 4, No 2. html 3 Burton, Ed (1995) Thoughtful drawings: A computational model of the cognitive nature of children’s drawing. Eurographics ‘95. Cambridge University Press. ’ Computer Studies. 4. p. 125. 5 McCorduck, Pamela (1990) AARON’s Code, Meta-Art, Artificial Intelligence, and the Work of Harold Cohen. New York: W. H. Freeman and Company. p46. 6 See ref 2. 7 See ref 4, p 124. 8 bid, p125.
Computers and Art (2008) by Stuart Mealing